In Part III of my essay on The Art of Nomography, I mentioned the use of Weierstrass’ Elliptic Functions to create a nomogram composed of three variable scales overlaid onto a single curve. In particular, Epstein describes using this family of functions to create a nomogram for the equation u + v + w = 0, adding that the formula can be generalized for functions of these variables. This topic generated some interest, and it certainly is interesting to me, so I’ve explored it in more detail by designing a single-curve nomogram based on functions of u, v and w. This essay describes the procedure I followed to create a “fish” nomogram (found here) manifesting the formula for the oxygen consumption of rainbow trout as a function of weight and water temperature—a modest attempt to blend art with artifice.
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The Art of Nomography III: Transformations
In addition to providing sophisticated nomograms, the use of determinants as described in the previous Part II offers one other huge advantage. Often the scaling factors of variables have to be manipulated to get a nomogram that uses all the available area and yet stretches portions of the curves that are most in need of accuracy; alternatively, there may be a need to bring distant points (even at infinity) into a compact nomogram. This can be done by morphing the nomogram with any transformation that maps points into points and lines into lines. It is also intriguing to consider the aesthetics of such transformations, creating eye-catching nomograms as an artistic process.
This final part of the essay reviews the types of transformations that can be performed on a nomogram, and it concludes by considering the roles of nomograms in the modern world and providing references for further information.
The Art of Nomography II: Designing with Determinants
The previous Part I of this essay described the construction of straight-line nomograms using simple geometric relationships. Beyond this, a brief knowledge of determinants offers a powerful way of designing very elegant and sophisticated nomograms. A few basics of determinants are presented here that require no previous knowledge of them, and their use in the construction of straight line nomograms is demonstrated. Then we will see how these determinants can be manipulated to create extraordinary nomograms.
The Art of Nomography I: Geometric Design
Nomography, truly a forgotten art, is the graphical representation of mathematical relationships or laws (the Greek word for law is nomos). These graphs are variously called nomograms (the term used here), nomographs, alignment charts, and abacs. This area of practical and theoretical mathematics was invented in 1880 by Philbert Maurice d’Ocagne (1862-1938) and used extensively for many years to provide engineers with fast graphical calculations of complicated formulas to a practical precision.
Along with the mathematics involved, a great deal of ingenuity went into the design of these nomograms to increase their utility as well as their precision. Many books were written on nomography and then driven out of print with the spread of computers and calculators, and it can be difficult to find these books today even in libraries. Every once in a while a nomogram appears in a modern setting, and it seems odd and strangely old-fashioned—the multi-faceted Smith Chart for transmission line calculations is still sometimes observed in the wild. The theory of nomograms “draws on every aspect of analytic, descriptive, and projective geometries, the several fields of algebra, and other mathematical fields” [Douglass].
This essay is an overview of how nomograms work and how they are constructed from scratch. Part I of this essay is concerned with straight-scale designs, Part II additionally addresses nomograms having one or more curved scales, and Part III describes how nomograms can be transformed into different shapes, the status of nomograms today, and the nomographic references I consulted.
Dead Reckonings 